'Jack retreats to an Airbnb cottage in a small coastal town. As a writer he is pre-occupied with the phenomenon of found people: the Somerton Man, the Gippsland Man, the Isdal Woman, people who are found dead – their identities unknown or erased – and the mysterious pull this has on the public mind.
'In Blue Bay, as well as encountering the town’s colourful inhabitants, Jack befriends Sarah, whose sister Alice is one of the many thousands of people who go missing every year. Sarah has been painting her sister’s likeness in murals throughout the country, hoping that Alice will be found. Then Jack discovers a book about the people of the town, and about Sarah, which was written by a man who called himself Simon. Who once lived in the same cottage and created a backyard garden comprised of crazy mosaics. Until he too disappeared.
'While Sarah’s life seems beholden to an ambiguous grief, Jack’s own condition is unclear. Is he writing or dying? In The Fifth Season Philip Salom brings his virtuoso gifts for storytelling, humour and character to a haunting and unforgettable novel about the tenuousness of life and what it means to be both lost and found.
'‘An immensely wise, witty, recognisable and haunting story.’
ROBERT DREWE'
Source: publisher's blurb
'As you would expect from a poet like Philip Salom, this novel lilts and dances.'
'Though it may seem so for many emerging from lockdown, loneliness has not always been a fact of life. Bonds between family, community and broader society were, for better or worse, stronger in the past than they are today.' (Introduction)
'In Western culture’s calendar year, is there some hidden fifth season, and if there is, what is it? The main character of Philip Salom’s fifth novel, a writer called Jack, asks himself near the end of the book whether the fifth season might be ‘Time, which holds the seasons together’, or perhaps the fifth season is simply ‘the Unknown’. Jack is preoccupied with the lost: with those people whose bodies are found but never identified, or those who, suffering amnesia, can’t be identified, but who need ‘to find their proper location in the story. In the seasons. A lost person must be allowed other dimensions.’' (Introduction)
'In Western culture’s calendar year, is there some hidden fifth season, and if there is, what is it? The main character of Philip Salom’s fifth novel, a writer called Jack, asks himself near the end of the book whether the fifth season might be ‘Time, which holds the seasons together’, or perhaps the fifth season is simply ‘the Unknown’. Jack is preoccupied with the lost: with those people whose bodies are found but never identified, or those who, suffering amnesia, can’t be identified, but who need ‘to find their proper location in the story. In the seasons. A lost person must be allowed other dimensions.’' (Introduction)
'Though it may seem so for many emerging from lockdown, loneliness has not always been a fact of life. Bonds between family, community and broader society were, for better or worse, stronger in the past than they are today.' (Introduction)
'As you would expect from a poet like Philip Salom, this novel lilts and dances.'
