Cirrus@Austlit

'‘If Jane Austen had the choice between the heart and the pen, what do you think she would do?’

'At age twenty-eight, Jane Austen should be seeking a suitable husband, but all she wants to do is write. She is forced to take extreme measures in her quest to find true love – which lands her in the most extraordinary of circumstances.

'Magically, she finds herself in modern-day England, where horseless steel carriages line the streets and people wear very little clothing. She forms a new best friend in fading film star Sofia Wentworth, and a genuine love interest in Sofia’s brother Fred, who has the audacity to be handsome, clever and kind-hearted.

'She is also delighted to discover that she is now a famous writer, a published author of six novels and beloved around the globe. But as Jane’s romance with Fred blossoms, her presence in the literary world starts to waver. She must find a way to stop herself disappearing from history before it’s too late.

'A modern-day reimagining of the life of one of the world’s most celebrated writers, this wonderfully witty romantic comedy offers a new side to Jane’s story, which sees her having to choose between true love in the present and her career as a writer in the past.'

Source: Publisher's blurb.

'Set in a fictional Riverina town at the height of a devastating drought, Scrublands is one of the most powerful, compelling and original crime novels to be written in Australia

'In an isolated country town brought to its knees by endless drought, a charismatic and dedicated young priest calmly opens fire on his congregation, killing five parishioners before being shot dead himself.

'A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage.

'Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal.

'Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay buried.' (Source: Publisher's blurb)

In all his years on the force, Detective Chief Inspector Pendragon had never seen a corpse like this one. After the initial horror, he recognised the reference to the surrealist painter, Magritte. But that made the crime even more sickening - accomplished, as it had been, with a sickening ferocity which placed it in another league from common or garden homicide.

In the Whitechapel area of London in the 1880s, a person, who remains unidentified to this day, committed a series of sadistic murders of local prostitutes, which involved elaborate mutilation of the victims' bodies.

Although the contemporary crimes are not directed exclusively at female targets, there is grotesque similarity in the mindset of the two perpetrators - divided, as they are, by more than a century. But Pendragon is determined that his pathologically brilliant killer will not escape detection.

Source: Author's Blurb

'Renowned psychologist Joseph O'Loughlin has it all-a thriving practice, a devoted, beautiful, fiercely intelligent wife, and a lovely young daughter. But when he's diagnosed with Parkinson's, O'Loughlin begins to dread the way his exceptional mind has been shackled to a failing body, and the cracks in his perfect existence start to show.

'At first, O'Loughlin is delighted to be called in to a high-profile murder investigation, hoping his extraordinary abilities at perception will help bring a killer to justice. But when O'Loughlin recognizes the victim as one of his former patients, an emotionally disturbed young woman who nearly brought ruin upon him, O'Loughlin hesitates-a fateful decision that soon places O'Loughlin at the top of the lists of both a bullish detective, and a diabolical killer.' (Publication summary)