Native Tongue single work   poetry   "I don't speak my Father's native tongue"
Issue Details: First known date: 2020... 2020 Native Tongue
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Fire Front : First Nations Poetry and Power Today Alison Whittaker (editor), St Lucia : University of Queensland Press , 2020 18673559 2020 anthology poetry essay

    'This important anthology, curated by Gomeroi poet and academic Alison Whittaker, showcases Australia’s most-respected First Nations poets alongside some of the rising stars. Featured poets include Oodgeroo Noonuccal, Ruby Langford Ginibi, Ellen van Neerven, Tony Birch, Claire G. Coleman, Evelyn Araluen, Jack Davis, Kevin Gilbert, Lionel Fogarty, Sam Wagan Watson, Ali Cobby Eckermann, Archie Roach and Alexis Wright.

    'Divided into five thematic sections, each one is introduced by an essay from a leading Aboriginal writer and thinker — Bruce Pascoe, Ali Cobby Eckermann, Chelsea Bond, Evelyn Araluen and Steven Oliver — who reflects on the power of First Nations poetry with their own original contribution. This incredible book is a testament to the renaissance of First Nations poetry happening in Australia right now.'

    Source: Publisher's blurb.

         St Lucia : University of Queensland Press , 2020     pg. 86-87
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Works about this Work

Native Tongue by Mojo Juju Paul Murchison , 2020 single work review
— Appears in: NEW : Emerging Scholars in Australian Indigenous Studies , March vol. 5 no. 1 2020;
— Review of Native Tongue Mojo Juju , 2020 single work poetry 'The following is a review of the song and accompanying video clip ‘Native Tongue’ by Mojo Juju (Luzuriaga 2018); a queer artist of mixed Indigenous Australian, white Australian and Filipino ethnicities. The song tells of her struggles with this identity in the Australian context and the video clip uses striking imagery to accompany this story. Both the song and the video successfully use elements of hip-hop and Aboriginal corroboree, combined with glitchy effects to communicate a disconnect between the artist and her confusing identity.'
Native Tongue by Mojo Juju Paul Murchison , 2020 single work review
— Appears in: NEW : Emerging Scholars in Australian Indigenous Studies , March vol. 5 no. 1 2020;
— Review of Native Tongue Mojo Juju , 2020 single work poetry 'The following is a review of the song and accompanying video clip ‘Native Tongue’ by Mojo Juju (Luzuriaga 2018); a queer artist of mixed Indigenous Australian, white Australian and Filipino ethnicities. The song tells of her struggles with this identity in the Australian context and the video clip uses striking imagery to accompany this story. Both the song and the video successfully use elements of hip-hop and Aboriginal corroboree, combined with glitchy effects to communicate a disconnect between the artist and her confusing identity.'
Native Tongue by Mojo Juju Paul Murchison , 2020 single work review
— Appears in: NEW : Emerging Scholars in Australian Indigenous Studies , March vol. 5 no. 1 2020;
— Review of Native Tongue Mojo Juju , 2020 single work poetry 'The following is a review of the song and accompanying video clip ‘Native Tongue’ by Mojo Juju (Luzuriaga 2018); a queer artist of mixed Indigenous Australian, white Australian and Filipino ethnicities. The song tells of her struggles with this identity in the Australian context and the video clip uses striking imagery to accompany this story. Both the song and the video successfully use elements of hip-hop and Aboriginal corroboree, combined with glitchy effects to communicate a disconnect between the artist and her confusing identity.'
Native Tongue by Mojo Juju Paul Murchison , 2020 single work review
— Appears in: NEW : Emerging Scholars in Australian Indigenous Studies , March vol. 5 no. 1 2020;
— Review of Native Tongue Mojo Juju , 2020 single work poetry 'The following is a review of the song and accompanying video clip ‘Native Tongue’ by Mojo Juju (Luzuriaga 2018); a queer artist of mixed Indigenous Australian, white Australian and Filipino ethnicities. The song tells of her struggles with this identity in the Australian context and the video clip uses striking imagery to accompany this story. Both the song and the video successfully use elements of hip-hop and Aboriginal corroboree, combined with glitchy effects to communicate a disconnect between the artist and her confusing identity.'
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Last amended 17 Aug 2020 13:39:38
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