'Carol Lefevre has shown herself adept at exploring connection and alienation in different genres. In The Happiness Glass (2018), the ambiguous zone between fiction and memoir forms a creative space within which Lefevre plumbs the intricacies of motherhood and loss; home and exile. Murmurations is imbued with similar tropes, the slight heft of the book belying its ethical density and the scope of its narrative ambition.' (Introduction)