Issue Details: First known date: 2020... 2020 Class, Identity, Justice : Reckoning with the Ghosts of Europe
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AbstractHistoryArchive Description

'The image is strong and striking. It is of a young woman; her face unsmiling, her gaze proud and ever so lightly mocking — as if she knows that you are ascending the stain to a contemporary art gallery and that you are both wishing to find works there that will confront you with the new and the audacious, while at the same time you are smugly confident that nothing you will see or experience will thrill you or astonish you. 'Astonish me,' Sergei Diaghilev demanded of the young Jean Cocteau. On this day in the European spring of 2019, climbing the steps of the Museum of Contemporary Art in New Zagreb and entering the exhibition space, you start off jaded; but you are astonished; and you are shocked. And you are shamed. The defiant young girl, her image in black and white, across a canvas that is over four metres tall and two metres wide, is staring down at you. Across her image is scrawled an ugly, misspelt graffiti. ' (Introduction)
 

Notes

  • Author's note: 5 June 2020

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Griffith Review The European Exchange no. 69 Ashley Hay (editor), Natasha Cica (editor), 2020 19735741 2020 periodical issue

    'As Europe is thrown into sharp relief by a devastating pandemic, Griffith Review 69: The European Exchange explores the deep and complex relationships between Europe and Australia, and discusses how Australians of many backgrounds have contributed to a longstanding dialogue that enriches both continents.' (Publication summary)

    2020
    pg. 17-27
Last amended 22 Jul 2020 12:38:32
17-27 Class, Identity, Justice : Reckoning with the Ghosts of Europesmall AustLit logo Griffith Review
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