'Helen Garner’s second volume of diaries charts a tumultuous stage in her life. Beginning in 1987, as she embarks on an affair that she knows will be all-consuming, and ending in 1995 with the publication of The First Stone and the bombshell that followed it, Garner reveals the inner life of a woman in love and a great writer at work.
'With devastating honesty, she grapples with what it means for her sense of self to be so entwined with another—how to survive as an artist in a partnership that is both thrilling and uncompromising. And through it all we see the elevating, and grounding, power of work.'
Source: Publisher's blurb.
Yellow Notebook : Diaries Volume I, 1978-1986
Melbourne
:
Text Publishing
,
2019
17065992
2019
single work
diary
'HELEN Garner has kept a diary for almost all her life. But until now, those exercise books filled with her thoughts, observations, frustrations and joys have been locked away, out of bounds, in a laundry cupboard.
'Finally, Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humour and steel-sharp wit, these accounts of everyday life provide an intimate insight into the work of one of Australia’s greatest living writers.
'Yellow Notebook: Diaries Volume 1, in this elegant hardback edition, spans about a decade beginning in the late 1970s just after the publication of her first novel, Monkey Grip. It will delight Garner fans and those new to her work alike.'
Source: Publisher's blurb.
'Helen Garner’s diaries have always been some kind of overriding preoccupation for this writer who breaks down the barrier between fiction and nonfiction. Forty years ago her detractors declared of Monkey Grip, arguably the most game-changing novel in Australian history, that it was simply her diaries regurgitated and dressed up as art.' (Introduction)
'‘Unerring muse that makes the casual perfect’: Robert Lowell’s compliment to his friend Elizabeth Bishop comes to mind as I read Helen Garner. She is another artist who reveres the casual for its power to disrupt and illuminate. Nothing is ever really casual for her, but rather becomes part of a perfection that she resists at the same time. The ordinary in these diaries – the daily, the diurnal, the stumbled-upon, the breathing in and out – is turned into something else through the writer’s extraordinary craft.' (Introduction)
'‘Unerring muse that makes the casual perfect’: Robert Lowell’s compliment to his friend Elizabeth Bishop comes to mind as I read Helen Garner. She is another artist who reveres the casual for its power to disrupt and illuminate. Nothing is ever really casual for her, but rather becomes part of a perfection that she resists at the same time. The ordinary in these diaries – the daily, the diurnal, the stumbled-upon, the breathing in and out – is turned into something else through the writer’s extraordinary craft.' (Introduction)
'Helen Garner’s diaries have always been some kind of overriding preoccupation for this writer who breaks down the barrier between fiction and nonfiction. Forty years ago her detractors declared of Monkey Grip, arguably the most game-changing novel in Australian history, that it was simply her diaries regurgitated and dressed up as art.' (Introduction)
