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y separately published work icon How I Learnt to Act single work   autobiography  
Alternative title: How I Learnt to Act on the Way to NOT Going to Drama School
Issue Details: First known date: 2019... 2019 How I Learnt to Act
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AbstractHistoryArchive Description

'Francis Greenslade has been an actor for thirty years. Here he tells the story of how as an enthusiastic but formally untrained actor he learnt to manage the demands of text and character and emotional connection with the character. Along with how to stand on your mark, and read a call sheet, and deal with directors.

'Half acting manual, half entertaining tale of the world of professional acting in Australia, this is a book for all actors, whether amateur or professional, novice or veteran, and indeed anyone who has ever wondered what it is that actors actually do.'

(Source: publisher's blurb)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Strawberry Hills, Inner Sydney, Sydney, New South Wales,: Currency Press , 2019 .
      image of person or book cover 1351657849218221065.jpg
      This image has been sourced from online.
      Extent: 192p.p.
      Note/s:
      • Published 15th November 2019.
      ISBN: 9781760622770

Works about this Work

[Review] How I Learnt to Act on the Way to Not Going to Drama School Melanie Beddie , 2020 single work review
— Appears in: Australasian Drama Studies , October no. 77 2020; (p. 347-351)

— Review of How I Learnt to Act Francis Greenslade , 2019 single work autobiography

'At a time when private studios proliferate and conservatoire-style schools are under pressure from universities to increase their class sizes, decrease their contact hours and become more aligned with academic models, it is useful to be reminded of the benefits of the apprenticeship model of actor training. What becomes apparent through Greenslade's book is how this on-the-job training involves a certain amount of trial and error, and requires self-discipline in order to reflect usefully on prior learning. Conservatoire training clearly offers key skills in script analysis, approaches to creating character and highly specific body and voice training.' (Publication abstract)

[Review] How I Learnt to Act on the Way to Not Going to Drama School Melanie Beddie , 2020 single work review
— Appears in: Australasian Drama Studies , October no. 77 2020; (p. 347-351)

— Review of How I Learnt to Act Francis Greenslade , 2019 single work autobiography

'At a time when private studios proliferate and conservatoire-style schools are under pressure from universities to increase their class sizes, decrease their contact hours and become more aligned with academic models, it is useful to be reminded of the benefits of the apprenticeship model of actor training. What becomes apparent through Greenslade's book is how this on-the-job training involves a certain amount of trial and error, and requires self-discipline in order to reflect usefully on prior learning. Conservatoire training clearly offers key skills in script analysis, approaches to creating character and highly specific body and voice training.' (Publication abstract)

Last amended 2 Feb 2021 09:56:51
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