Zelmarie Cantillon Zelmarie Cantillon i(19522071 works by)
Gender: Female
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Works By

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1 Phenomenology of the Surf Ballroom's Winter Dance Party : Affect and Community at a Popular Music Heritage Tourism Event Sheryl Davis , Sherry Davis , Zelmarie Cantillon , 2019 single work criticism
— Appears in: Remembering Popular Music's Past 2019;
1 Preserving Icelandic Popular Music Heritage : Issues of Collection, Access and Representation Zelmarie Cantillon , Bob Buttigieg , Sarah Baker , 2019 single work criticism
— Appears in: Remembering Popular Music's Past 2019;
1 The Precarity of Memory, Heritage and History in Remembering Popular Music's Past Lauren Istvandity , Zelmarie Cantillon , 2019 single work criticism
— Appears in: Remembering Popular Music's Past 2019;
1 y separately published work icon Remembering Popular Music's Past Lauren Istvandity (editor), Sarah Baker (editor), Zelmarie Cantillon (editor), London : Anthem Press , 2019 19522093 2019 anthology criticism

'‘Remembering Popular Music’s Past’ capitalises on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimised and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage in order to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this transformation. The collection is particularly interested in the ways in which popular music’s past becomes enacted in the present.'

'The chapters discuss a diverse array of topics but are unified by inquiry into the construction, curation, display, negotiation and perception of popular music’s past. The collection presents a critical perspective on academics’ involvement in ‘historian’s’ work of ‘reconstruction’ of the past through archival and analytical research. The cultural studies framework adopted in the collection encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly ‘Remembering Popular Music’s Past’ deals with issues of precarity in popular music heritage, history and memory. The collection is a timely addition to a subfield of popular music studies and critical heritage studies that has grown exponentially in the past ten years.'

(Source: publisher's blurb)

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