'The Beating Heart is an allusion to the continuous pulsing of feelings that lie beneath the surface reality of our lives. This collection ‘slips into the lining’ of various experiences from a childhood in the ancient city of Rome, whose ‘famous walls bulged with sanctioned corruption’ to the loneliness of a London bedsit, ‘narrow as a capsule, a chilly low-cost limbo’, to the lure of a Sydney bushwalk, where ‘mist lies over the grass, the trees, the everything, as lightly as a suggestion’. The elegant assurance of these meditative and melodic lines remind us that poetry can be, as the author believes, ‘a form of music’.
'‘Here is a poet who understands the extraordinary in the commonplace, the flimsy place of life. The poems mill to edges, ripple by recollection and poignancy – the intergenerational weight of knowledge in simple things, ‘with foldings of clothes pressed smooth as stone’, where the ‘paper-hin’ present is convulsed waiting on a child’s operation. O’Hagan’s mastery of the transcendence in moments, and the distillation of experiences, is the gift of a writer at the height of her powers.’ – James Walton, poet
'‘Each and every poem in The Beating Heart penetrates deeply into the core of our existence. There is no path, crossroad or threshold this gifted poet fears to take with her astute observations of what is often taken for granted. The migrant, the traveller, the historian, the pioneer and the mother are framed within immaculate and harmonic wordscapes. There is not one missed beat within this captivating collection of what it means to be alive.’ – Angela Costi, poet and social justice advocate.' (Publication summary)
'In her debut collection, The Beating Heart, Denise O’Hagan takes Father Time as her muse. Timelessness, timeliness, and time-signatures abound in a collection that features O’Hagan’s trademarked musicality. Her poetry is rhythmical and melodic, with rhyme, half-rhyme, alliteration, and assonance her favoured forms of wordplay. O’Hagan has an ear for words that work together to trip off the tongue in pleasing patterns. At times the words waltz across the page; at others, the text clings close to the left-hand margin. Although Father Time may be O’Hagan’s main muse, other family members and their time on Earth – equal to the duration of The Beating Heart of the title – are also focal points of the poems. Mother, grandmother, and infant son are the subjects of several sequences in this engaging collection.' (Introduction)
'In her debut collection, The Beating Heart, Denise O’Hagan takes Father Time as her muse. Timelessness, timeliness, and time-signatures abound in a collection that features O’Hagan’s trademarked musicality. Her poetry is rhythmical and melodic, with rhyme, half-rhyme, alliteration, and assonance her favoured forms of wordplay. O’Hagan has an ear for words that work together to trip off the tongue in pleasing patterns. At times the words waltz across the page; at others, the text clings close to the left-hand margin. Although Father Time may be O’Hagan’s main muse, other family members and their time on Earth – equal to the duration of The Beating Heart of the title – are also focal points of the poems. Mother, grandmother, and infant son are the subjects of several sequences in this engaging collection.' (Introduction)
