Cirrus@Austlit

'Even a flame needs a drop of water – no strength in burnin’ if there’s no risk of bein’ snuffed out.

'In a time when the sun burns through skin and water only comes in bottles, Ngadjung is an environmental drama set in a scarily imaginable future, right here on Ngunnawal Country. 

'A giant company sells synthetic liquid to quench the thirst of those who’ve survived, and natural water reserves have all but dried up. Two women – an unlikely pairing – unpack the past and spar over the future. Cass is from the city; she’s young, smart and reckons she can fix it all. Flick is from the river that no longer exists; she’s older, fiercer  and history runs through her veins. Without water, how can we live? And most importantly, how will we remember?'

Source: Production blurb.

'Once in a blue moon, in the middle of nowhere, two teenage boys meet under a lemon tree. After a rough start, a fragile friendship fruits into a heady romance. Ty and Neddy fall madly in love, as teenagers are wont to do.

'If history would just unfurl a little differently, the boys might have a beautiful future ahead of them. But without knowing it, Ty and Neddy are poised on the brink of a world that is about to change forever. It’s the early 19th century. Ty is River Mob. Neddy is Mountain Mob. And the earth they stand together on is about to be declared ‘Australia’.'

Source: Publisher's blurb.

'Like a smack in the face.  That’s how I’d describe it.

'On the precipice of something life changing, a young Palawa man plunges into an exploration of self and Country. 

'Carried with the winds of a metaphysical Flinders Island, the land of his mob and the place where it all happened, he is drawn back to the dawn of colonization. To a woman who bore the brunt of the oppressors’ violence and then forward to her granddaughter, who buried the truth as a means of survival. Stirring up stories together, with parts both  achingly sad and unexpectedly funny, what unfolds reveals by slow degrees painful but important truths.'

Source: Publisher's blurb.

'way back when, set in a fictional post-colonial Tasmania, sees Ghost, a take-no-nonsense apparition, set the scene for the meeting of an unlikely trio of three women. To pass the time (and forget the cold), they re-imagine the colonisation of Tasmania as a Gothic revenge drama. There’s comedy, a play-within-a-play and, as their connection to each other strengthens, revelations of personal traumas which steadily undermine the fervour of their collective revisionism.'

Source: Griffin Theatre.