'J. M. Coetzee has written two trilogies: Scenes from Provincial Life, his thinly fictionalized tripartite memoir, and the “Jesus” novels, of which The Death of Jesus is the slim, fittingly titled final installment. In the third book of both series, we must contend with the death of a central figure: in Summertime, the final part of Scenes, it is the author John Coetzee; in The Death of Jesus, it is David, an extraordinary young boy who leaves the world having only partly relayed his message. There are some very obvious conclusions to draw here. They are conclusions reminiscent of the messianic terms in which Wamuwi Mbao discusses Coetzee and his “followers” in his review of Photographs from Boyhood, an exhibition of Coetzee’s childhood photography: “If they could sit at his feet,” Mbao says of the writer’s acolytes, “I suspect they would.” A fair conclusion, I’d say.' (Introduction)
