'A Theatre for Dreamers, Polly Samson’s third novel, is pages and pages of rapturous fantasy of summer days on a small Greek island at the start of the 1960s. Dazzling sunlight, nude swims in the blue sea, midnight hikes while wrapped in blankets under the stars, stray cat rescues, endless glasses of retsina and ouzo, fresh bread, feta, honey, lemon and olive oil, sardines and grilled octopus and ice-cream. Yes, it is a book for people who wish they could have a holiday right now, and amid the glut of sensory descriptions you really do feel like you’re there – and it’s a really nice feeling. But in a novel of this length, that wealth of atmosphere wants some kind of driving question, or a real plot, to hang itself on.' (Introduction)
'It seems hard to believe that Ellen van Neerven’s debut poetry book, Comfort Food, was only published in 2016, given the remarkable evolution we see in Throat, the second collection from the young Mununjali Yugambeh poet. While the titles of both poetry collections similarly draw attention to the mouth, that organ traditionally associated with poets, they do so in ways that highlight the differences between the books. Comfort Food was an offering of short lyrical poems characterised by the kind of openness and generosity associated with acts of sharing meals. Throat, however, is a far edgier book, speaking of vulnerability but also strength, pain and anger.' (Introduction)
