Cirrus@Austlit

'Book publicists are important intermediaries in generating earned media attention, creating discoverability opportunities, and getting new books into the hands of potential readers. Despite their important function in book culture, publicists’ labour in producing and framing value in the book industry is often rendered invisible in the industry and scholarly literature, which we trace back to field-defining conceptual models, particularly Robert Darnton’s Communications Circuit (1982). This article draws on interviews with eight Australian publicists to make visible, interrogate, and explain the material and symbolic labour involved in the affective relationship-building and cultural framing work of publicity. This article explores publicists’ day-to-day work, their relationships with authors, colleagues and the media, and publicity’s function in contemporary book culture. Book publicists are important cultural intermediaries: they are integral to the economic and social contexts of publishing, and influence and shape cultural tastes and value through strategic promotional work, resulting in considerable effects across the domains of production and reception.' (Publication summary)

'The now-blocked merger, which would have seen a publishing behemoth become even larger, exposed some of the uncomfortable realities of a romanticised industry, and the very real gap between culture and commerce in the sector.'  (Introduction)

'The post-digital publishing paradigm offers authors, readers, publishers and scholars the opportunity to engage with the production and circulation of the book (in all its forms) beyond the conventional boundaries and binaries of the pre-digital and digital eras.

'Post-Digital Book Cultures: Australian Perspectives is a collection of scholarly writing that examines these opportunities, from a range of disciplinary and methodological approaches, with the aim of engaging with the questions that define post-digital book cultures beyond the role of e-books. Examinations of digital publishing in the literary field can often be characterised as either narratives of decline or narratives of revolution. As we move into the third decade of the twenty-first century, what has become clear is that neither of these approaches accurately encapsulate the role of ‘the digital’ on contemporary publishing practice. Rather than upending book publishing culture, the emergence of digital technologies and platforms in the field has complicated and recontextualised the production, circulation and consumption of books.

'This collection of essays brings together contributions from scholars and industry practitioners to consider the changing nature of the production of the book and the circulation of book culture within a post-digital context and platform enclosures.'  (Publication summary)

The influence of the literary prize in contemporary literary culture can often be observed in the expanded constituencies for shortlisted and winning authors and titles. Winners of major awards like the Booker Prize and the Miles Franklin Literary Award commonly report a rapid increase in sales and media attention following the announcement by the judges. However, it is not just the prize that brings about this increased attention. The public impact of the prize’s proclamations exists in a context that is supported by adjacent literary institutions, influential individuals, and the media. This chapter examines the short history of the Stella Prize to explore the radiating power of the literary prize within the public sphere and illustrates the ways in which contemporary literary activists use the literary prize as a vehicle for achieving their aims.

Source: Abstract.

'Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing’s consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.'

Source: Publisher's blurb.

'The ability of literary prizes to sway literary tastes and shape cultural discourse has long been explored through the decisions made by the prize judging panel. The jury of experts, who bring with them symbolic capital and are often regarded as representing a nation’s sophisticated literary palate, have been the subject of extensive scholarship. However, there is a selection process that occurs prior to the commencement of the official or public adjudication. The entry guidelines for individual literary prizes ensure that particular authors and titles will not, or cannot, be considered for the prize and are, therefore, excluded from the symbolic and economic rewards that come with being shortlisted for and winning a literary prize. How do literary prize eligibility requirements limit access to the prestige and promotion that comes with a literary prize? How does the issue of exclusivity influence the ways prizes run, the winners that are chosen and, ultimately, the field-wide conceptions of prize-winning writing?' (Introduction)

'Australia’s literary journals are produced in a fragile ecosystem propped up by a patchwork of volunteer labour, generous patrons and, with any luck, a small slice of government funding.' (Introduction)