y separately published work icon Cordite Poetry Review periodical issue  
Alternative title: No Theme IX
Issue Details: First known date: 2020... no. 96 May 2020 of Cordite Poetry Review est. 1997 Cordite Poetry Review
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Contents

* Contents derived from the , 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Never Be Alone Again : Hip-Hop Sampling as a Technique in Contemporary Australian Poetry, Liam Ferney , single work essay
'Middle-aged 90s hip-hop fans like myself are clichéd enough to be parodied by The Betoota Advocate but if you’re not familiar with any of the songs, or the source material, I’ve put together a little Spotify playlist for you to check out as you read. No De La Soul though. Their masterpiece, 3 Feet High and Rising, isn’t on streaming services. While most of the 70 plus samples on the album were cleared, it was only for physical media, and, according to the band, their label Warner Brothers is completely disinterested in doing the work that would get the album online.' (Introduction)
Unearthing the Greek in the Australian : An Account of Owl Publishing’s History and Foundation, Angela Costi , single work essay
Wrestling with Mode and Meaning : The Play of Poetry in Theatre, Emilie Collyer , single work essay

'Sitting high in the John Golden Theatre on Broadway, the opening moments of Jeremy O Harris’s Slave Play leave me open-mouthed. A black woman, dressed simply and of another era – one might presume as a slave – enters the space with a broom. She is sweeping. After a moment, the song ‘Work’ by Rhianna starts to play. Loud and jaunty. The woman is aware of the music. She starts to enjoy it. She starts dancing, and twerking. We are in a mixed world. It is exciting and disorienting. She is interrupted by the arrival of a white man, scrawny, not a rich man, but holding power largely by the whip evident on his person.' (Introduction)

Net Carries Water, single work prose

'What is this blur, whir of colour, this axe-grind-darkness? Nostalgia. Absence. This grief written along a curve, looping back and out, layered through time. Time is perhaps as Tomas Tranströmer offers not linear, but more a labyrinth, where you can press against the wall at the right spot to hear your past and future selves on the other side.' (Introduction)

‘A Way of Breathing Together’ : Winnie Dunn Interviews Merlinda Bobis, Winnie Dunn (interviewer), single work interview

'Merlinda Bobis is a poet first and foremost but her extensive body of work has transpired across novels, plays, performances, essays, and works for radio. A single dialogue between us can in no way capture her incredible writing, which is able to transcend borders in all their myriad and sometimes devastating forms. Yet, what I have aimed for in this interview is to showcase the mind of one of Australia’s most brilliant writers to date writing through her Filipino-Australian heritage in a time where the Filipino-Australian community has been vastly ignored and undervalued. As we live, love, and strive to survive together in a time of a global pandemic, I hope this dialogue reminds us how poetry moves through us and can be used as a tool to keep us together.' (Introduction)

‘Desire’s Temporality Is Going to Be Perverse’ : Elena Betros López Interviews Lisa Robertson, Elena Betros López (interviewer), single work interview

'Lisa Robertson and I were introduced through my dear friend Marnie Slater following an invitation by Autumn Royal to undertake an interview for Cordite Poetry Review. I felt the need to be completely transparent with Lisa in stating that I’m artist working in moving image, that I’m not a writer by trade, and neither an expert on Lisa’s work. In fact, it was Marnie who introduced me to Lisa’s poetry, inviting me to a reading Lisa gave in Brussels in 2017. After this I bought three of her books at once, yet somehow, I found myself reading them slowly, over long durations of time and with some loyalty in finishing one publication before starting another. I felt curious about my own time with these publications, how in my focused and durational readings began to inform my life and thinking.' (Introduction)

Surveying What Adheresi"What was your status as of Monday?", Jaya Savige , single work poetry
Vanishingi"For too long I have been a member of a vanishing tribe … We start using terms like; ‘going, going, gone …’ in", Samuel Wagan Watson , single work poetry
Olympic Bingoi"God is always twenty-five", Jessica Alice , single work poetry
My Father Was Not a Gardeneri"but he was a handsome widespreading form descended from a long-lived drought-resistant species.", Grace Yee , single work poetry
A King Sends a Delegation to Meet a Clan in the Southi"We’ve heard they make music", Judith Beveridge , single work poetry
Call Collecti"well, lately, i am the grim reaper.", Shi Xiaojun , single work poetry
Anthropocenei"While there are other words I’d prefer", Anthony Lawrence , single work poetry
High Straight Trunki"All morning she counts the beat of crickets until the", Sally J. Finn , single work poetry
Order of Birdsi"First are Kookaburras tipping sun into", Natalie Rose Dyer , single work poetry
Halcyon Hurtsi"two girls swim in sunset bisque", Claire Cao , single work poetry
Loyal and Wanting to Have a Good Timei"Everyone in my family lives to about ninety-six.", Nadine Brown , single work poetry
In Memoriami"One by one they all leave us behind", Chris Oakey , single work poetry
Dandelionsi"now gone to seed,", Louise McKenna , single work poetry
This Abstractioni"Up late this morning. ‘They’ are doing the", 'Jackson' , single work poetry
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