'Jess Hill’s incisive examination of domestic violence saw the journalist win the coveted Stella Prize last month. But the four-year project also took an immense personal toll. “All that advice about self-care … I didn’t do any of it. I almost pointedly didn’t do it. I thought: ‘You need to feel, even just one iota of the pain and suffering the people you are talking to are feeling.’ If I was feeling really relaxed and detached from it, I wouldn’t be able to write about it in the way I wanted to … I sort of had to inhabit it.”' (Introduction)
'While we are all currently distracted by the threat of Covid-19, the environmental crisis remains front and centre in James Bradley’s new novel, Ghost Species. Earth is “past the tipping point” and entering a phase called “the Melt”. Sea ice has vanished, even a northern summer lasts for six months, the ground is sinking as permafrost melts, forests are on fire and two-thirds of all wildlife has become extinct. The situation is becoming desperate. Enter a renegade, megalomaniacal tech billionaire, Davis Hucken – described by one character as “Doctor fucking Evil in a hoodie” – who believes the answer to the world’s problems lies in resurrecting extinct species. Having already revived mammoths and thylacines, he hires two young-gun Australian scientists, flies them into a luxurious facility in the Tasmanian wilderness and tasks them with reanimating Homo neanderthalensis.' (Introduction)
'This is a rather extraordinary first novel. It is written in a style that ravishes the reader because it is constantly inventive and nervily inflected with a maximum suggestiveness. Ronnie Scott is superb at capturing the intimations and innuendos that any human heart – perhaps especially a not fully formed, post-adolescent one – is capable of. He is as good at evoking a world of young men who are a bit in love with, certainly not uninterested in, each other. But The Adversary is too talented a piece of debut fiction to be received with hands-off courtesy. The besetting problem of this putative novel that everyone should have a look at – to cotton on to a writer who has a wizardly quicksilver command of language – is that not enough happens in the book, and the author’s apparent belief that it does comes to seem like naivety.' (Introduction)
