'Every so often we’re reminded with a jolt that Australian realism doesn’t – to use Patrick White’s phrase – have to be dun-coloured. In fact it can be kinky, it can be ludic, it can be in the tradition of that shaggiest of shaggy-dog stories, Furphy’s Such Is Life, which begins with that immortal and immemorially appealing Australian sentiment, “Unemployed at last!”' (Introduction)