Will of Iron single work   review  
Issue Details: First known date: 2020... 2020 Will of Iron
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'In the past we have tended either to ignore or to marginalise cultural ‘expatriates’. In today’s cosmopolitan culture, we are more used to varied career paths, but it is still possible for someone who has made most of their career abroad to be overlooked. Judith Anderson is a case in point. Born in Adelaide in 1897, Francee Anderson (her first stage name) made her professional stage début in 1915 in Sydney, but from 1918 she was, virtually for the rest of her life, based in the United States. Desley Deacon’s substantial, superbly illustrated biography rescues Anderson from obscurity and reveals the full extent of her remarkable career on stage, in film, and on television.' (Introduction)

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    y separately published work icon Australian Book Review no. 419 March 2020 18747522 2020 periodical issue

    'Welcome to the fiery March 2020 issue of ABR! Our cover features a luminous, shocking photo from the New South Wales bushfires. Award-winning historian Tom Griffiths writes about this ‘season of reckoning’ during which we saw ‘the best and worst of Australia: the instinctive strength of bush communities and the manipulative malevolence of fossil-fuelled politicians’. Elsewhere, Dominic Kelly writes about privilege and The Economist; Yves Rees reviews several trans memoirs; and we have reviews of new novels by Louise Erdrich, Anne Enright, Philip Pullman, Evie Wyld, and Catherine Noske.' (Introduction)

    2020
    pg. 51
Last amended 3 Mar 2020 09:47:30
51 https://www.australianbookreview.com.au/abr-online/archive/2020/march-2020-no-419/734-march-2020-no-419/6272-john-rickard-reviews-judith-anderson-australian-star-first-lady-of-the-american-stage-by-desley-deacon Will of Ironsmall AustLit logo Australian Book Review
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