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Issue Details: First known date: 2020... 2020 Bearing Witness
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'In a 2013 interview with British literary magazine Structo, Anglo-Australian author Evie Wyld recalls lamenting to a writing tutor that she wanted to write a big action thriller, ‘something with Arnold Schwarzenegger and machine guns and blood and explosions’ but was always writing ‘really quiet little paragraphs about Dads’. These paragraphs evolved into her haunting début novel, After the Fire, A Still Small Voice (2009). Wyld’s Miles Franklin Award-winning second novel, All the Birds, Singing (2013), was followed by a graphic memoir produced in collaboration with Joe Sumner, Everything Is Teeth (2015), detailing childhood summers spent on Wyld’s grandparents’ sugar cane farm and her shark fixation. The Bass Rock, her new novel, may not be a big action thriller either, but it is far from quiet and there is plenty of blood.' (Introduction)

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  • Appears in:
    y separately published work icon Australian Book Review no. 419 March 2020 18747522 2020 periodical issue

    'Welcome to the fiery March 2020 issue of ABR! Our cover features a luminous, shocking photo from the New South Wales bushfires. Award-winning historian Tom Griffiths writes about this ‘season of reckoning’ during which we saw ‘the best and worst of Australia: the instinctive strength of bush communities and the manipulative malevolence of fossil-fuelled politicians’. Elsewhere, Dominic Kelly writes about privilege and The Economist; Yves Rees reviews several trans memoirs; and we have reviews of new novels by Louise Erdrich, Anne Enright, Philip Pullman, Evie Wyld, and Catherine Noske.' (Introduction)

    2020
    pg. 27
Last amended 3 Mar 2020 09:14:38
27 https://www.australianbookreview.com.au/abr-online/archive/2020/march-2020-no-419/734-march-2020-no-419/6256-amy-baillieu-reviews-the-bass-rock-by-evie-wyld Bearing Witnesssmall AustLit logo Australian Book Review
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