Cirrus@Austlit

'On its back cover, Numb & Number describes itself as “a kind of clearing” containing poems which “open up, sometimes painfully, sometimes joyfully, what it is to be in the world”. The poems will, in other words, clear away many of the obstacles to a more open, expressive poetry. But there is also a sense that this book is, perhaps, itself a “clearing house”, a collection of disparate pieces which need to be published to clear the decks for other projects. And Musgrave seems attracted to projects which are more complicated than a simple collection of individual poems. His 2016 book, Anatomy of Voice, is a remarkably ornate, almost baroque, construction “dealing with” the death of a beloved mentor but using among its structural props, Burton’s Anatomy of Melancholy and the emblem books of the sixteenth and seventeenth centuries. (As well as this, there is the fascinating experience of “auditory hallucinations” in which the mentor’s voice revisits from the past.) I mention this to make the point that there is a strong drive in Musgrave’s poetic imagination towards more complex structures than are implied in a conventional collection such as Numb & Number. It’s a book, which, for whatever reason, has a slightly rawer quality – in construction as well as in the individual poems – than both the highly structured ones and also previous works such as Phantom Limb and Concrete Tuesday.' (Introduction)