Cirrus@Austlit

'Annamaria Weldon’s luminous fourth collection returns the poet to the archipelago of her birth.  Stone Mother Tongue begins in prehistoric Malta, where Weldon mourns the “goddesses we trample[ed]” across the centuries.  The poet guides us through shifting incarnations of her homeland, where “Recollection is mapped country folded backwards / along familiar creases” (50). Weldon’s poetry enacts a uniquely feminine divination; she calls forth a goddess oracle unbound from history, a statuary tongue unloosed from time.  Ancient relics —museumed, looted, or abandoned—are portals to haunted islands where “pre-history seems just offshore . . . time’s lost coast in stone, not words.” Weldon elegantly negotiates the fraught territory between conflicted and conflicting histories: collective and personal, traumatic and resilient, human and divine.'  (Introduction)