Cirrus@Austlit

'Papers, presentations and workshops ranged across many subjects, including: individual performers and practices; dramaturgies of acting, technology, disability and access; rehearsal and hierarchies of power; acting and ethics; women in the acting and performance industries; diversity on the stage; mainstream and independent work; comedy; physical practices; and wellbeing and mental health. Actresses have been particularly vocal about the need to challenge the gender pay gap, sexism, racism and male abuse of power, and there is a noticeable difference in the numbers of actresses of all ages who are prepared to speak out about the invisibility and marginalisation that too many have endured. The different moods of the actresses in these articles and interviews are also striking: the optimism and celebratory notes evident in Trevor Jones's piece on women performers of musical theatre and the joyously comic anarchy manifest in Sarah Peters' article on the Travelling Sisters are not, for example, sounded by Candy Bowers, who describes a landscape of white supremacy and 'the centring of whiteness' above all, and identifies a major problem with diversity and access to training as well as an unwillingness to celebrate intersectionality and diverse storytelling on Australian stages. Forsyth observes that many women turn to film and television not just because of financial issues and the limited roles that mature actresses are offered on the stage, but also because of the physical wear and tear on the body and mind.' (Mary Lockhurst, Editorial abstract)