'The distinctive repetition of embodied characters and material environments in Patrick White’s prose has always busied Australian literature scholars. Bridget Grogan’s new work on the author’s obsession with corporeality delves deep into the discomforting realm of the body and its bleeding, burning and pulsing pressures. Indeed, Grogan invites us, as she argues White himself does, to ‘“kiss the corpse,” to accept the body’ and with it the dissolute qualities of human subjectivity White examines so closely in his narratives (16).' (Introduction)