Colouring the Eye of the Beholder single work   essay  
Issue Details: First known date: 2019... 2019 Colouring the Eye of the Beholder
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AbstractHistoryArchive Description

'In the far north of New South Wales, as fans swung wildly in the heat and sweat beaded on our upper lips in the high summer, my year 11 English teacher sweepingly declared at the front of the classroom that a piece of art is only what we make of it. Our vision, how we see, determines the meaning of the work. Why is the sky grey? Well, that depends on who you ask. Postmodernism had infected the high school teaching syllabi of regional Australia. Subjectivity reigned. The author, was, of course, dead. The art was in what we saw. I was, as was often the case then, the only person of colour in the room. But I couldn’t imagine how this would frame the borders of my imagination, how significantly it could shape my vision.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Meanjin vol. 78 no. 4 Summer 2019 18447504 2019 periodical issue

    'In the December issue of Meanjin Paul Daley takes a long look at the complex legacy of James Cook. In a timely essay ahead of the Cook sestercentennial in 2020, Daley digs deep into the many and conflicting strands of this Australian colonial foundation story. Was Cook a blameless master navigator? Or should he be connected intimately to the dispossession of First Nations peoples that followed his voyage of 1770?' (Introduction)

    2019
    pg. 170-175
Last amended 25 Feb 2021 08:33:53
170-175 Colouring the Eye of the Beholdersmall AustLit logo Meanjin
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