'Sarah Aiken and Rebecca Jensen were thanking the volunteers for showing up in unexpectedly large numbers: forty workshop participants, they said, would give them a great opportunity to test some scenes they could only have imagined on their own. !ey were already standing in a circle in Dancehouse; gently, out of a bag emerged objects, passed around one by one: an apple, a fan, a banana, a straw hat. !e pace picked up, soon exceeding what two hands can hold. !e objects were now coming from both directions at once - participants holding three, four apples each - vaguely guilty of causing bo and lenecks in this human chain.' (Publication abstract)