Cirrus@Austlit

'On 23 April 1979, Blair Peach, a teacher from New Zealand, was killed by a blow to the head delivered by an officer of the Metropolitan Police Force Special Patrol Group (SPG). He had been demonstrating against a meeting to be held by the Nazi National Front (NF) in Southall, West London.

'Peach did not set out to be a martyr. He did not set out to die. His acting in solidarity with the community under attack that day was probably, had it not been for his death, as unremarkable as his less recollected actions, such as spending nights on the cold, wet street corners of Brick Lane to prevent the NF from holding paper sales. Yet the tragedy of his death, compounded by the ensuing miscarriage of justice, has been remembered as a galvanising moment of anti-racism in the UK, and has inspired a number of poetic works, including Linton Kwesi Johnson’s ‘Reggae fi Peach’, Bhanu Kapil’s Ban en banlieue, and Chris Searle’s edited collection One for Blair. In the early 1980s a Southall primary school was named after Peach. A touching tribute. Naming is touching. To name is to touch.' ( Lucy Van, Ling Toong and George Mouratidis, Editorial introduction)

'Poetry. Women's Studies. LGBTQIA Studies. Art. "Are you feeling helpless and angry? I am. I'm having a quiet rage against the material and immaterial machine. Thank you for holding me. This book is a shard of frustration. It's a place to process emotion. Angry and curious, I recently dived into some dark online spaces that I hope one day will be lost, and documented words and phrases used about and against women. I'm working with the concept of printing itself: its terminology and actions are historically drawn from the human body. As an experimental letterpress printer, I often use words to give paper a hard time, and the audience can usually witness the marks left by my processes. In this physical book I have had to think flatter, within the restrictions of contemporary digital print processes." Caren Florance' (Publication summary)