'Torpid beneath an inevitable sun, its dray-wide streets a study in shadow and glare, the country town of Deane — primary setting of Tony Birch’s new novel The White Girl, his fourth in a dozen years — is vividly rendered for a place that does not really exist. This is probably because some version of it has sprung up in so many parts of this country that only a generic instance is big enough to contain them all.'(Introduction)