Amani Haydar Amani Haydar i(17743426 works by)
Gender: Female
Heritage: Arabic
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Works By

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1 Bad Transplant Amani Haydar , 2022 single work prose
— Appears in: Another Australia 2022;
1 y separately published work icon The Very Best Doughnut Randa Abdel-Fattah , Sydney : Pan Macmillan Australia , 2022 25310244 2022 single work children's fiction children's

'Friday is always the best day at Adam's house. It's doughnut day!

'But this week, his family is fasting for Ramadan. They aren't going to eat or drink until the sun sets.

'Adam wants to fast too, but it's so hard. Can he wait that long for his very special doughnut?' (Publication summary)

1 1 y separately published work icon Safar : Muslim Women's Stories of Travel and Transformation Sarah Malik (interviewer), Prahran : Hardie Grant Books , 2022 25255812 2022 anthology interview travel 'Safar: Muslim Women's Stories of Travel and Transformation is a beautifully illustrated gift book that explores the emotional and spiritual aspects of journeying. Through a series of interviews with Muslim women from diverse backgrounds, Australian journalist Sarah Malik considers personal growth and self-knowledge in the context of travel.' (Publication summary)
 
1 Writing, Painting and the Fluidity of Creative Practice Amani Haydar , 2022 single work essay
— Appears in: Kill Your Darlings [Online] , October 2022;
'My visual arts and writing practices exist in a loop with inspiration running in both directions. What started as intimate, therapeutic processes have become empowering tools for advocacy and agency.' (Introduction)
1 Writing From and Through Trauma Amani Haydar , 2022 single work essay
— Appears in: Sydney Review of Books , September 2022;

'The act of writing from lived experience as a trauma survivor involves making choices beyond the literary and political decisions a writer ordinarily makes. It carries added risks and can have emotional, psychological and practical consequences for the writer. This is particularly so for survivors from racialised communities. In writing my memoir The Mother Wound, which is about losing my mum in an act of domestic violence perpetrated by my father in 2015, it felt important that I tell my story in a nuanced way, resisting self-tokenisation, stereotypes, and sensationalism. There were considerations around mitigating harm without compromising truth, contextualising personal struggles within political realities, and understanding where my work sat within broader conversations about gender-based violence, #metoo and domestic abuse in Australia. Understanding the effects of trauma and building a trauma-informed approach into my writing practice has allowed me to navigate some of these risks and foster a writing practice that facilitates personal healing despite the risk of re-traumatisation.' (Introduction)

1 Hijab Days Amani Haydar , 2021 single work life story
— Appears in: Racism : Stories on Fear, Hate and Bigotry 2021;
1 Shelf Reflection : Amani Haydar Amani Haydar , 2021 single work column
— Appears in: Kill Your Darlings [Online] , July 2021;
2 11 y separately published work icon The Mother Wound The Motherwound Amani Haydar , Sydney : Macmillan Australia , 2021 21532050 2021 single work autobiography

''I am from a family of strong women.'

'Amani Haydar suffered the unimaginable when she lost her mother in a brutal act of domestic violence perpetrated by her father. Five months pregnant at the time, her own perception of how she wanted to mother (and how she had mothered) was shaped by this devastating murder.

'After her mother's death, Amani began reassessing everything she knew of her parents' relationship. They had been so unhappy for so long - should she have known that it would end like this? A lawyer by profession, she also saw the holes in the justice system for addressing and combating emotional abuse and coercive control.

'Amani also had to reckon with the weight of familial and cultural context. Her parents were brought together in an arranged marriage, her mother thirteen years her father's junior. Her grandmother was brutally killed in the 2006 war in Lebanon, adding complex layers of intergenerational trauma.

'Writing with grace and beauty, Amani has drawn from this a story of female resilience and the role of motherhood in the home and in the world. In The Mother Wound, she uses her own strength to help other survivors find their voices.' (Publication summary)

1 The Pleasure and Privilege of Painting Flowers Amani Haydar , 2019 single work autobiography
— Appears in: Arab, Australian, Other : Stories on Race and Identity 2019; (p. 95-106)
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