'Natalie D-Napoleon is a writer, singer-songwriter and educator from Fremantle with an MA in Creative Writing currently working on her PhD. She came to prominence on the poetry scene when she won the 2018 Bruce Dawe Poetry Prize with ‘First Blood: A Sestina’. Also titled First Blood, her debut collection explores various histories—her own, her forebears’, and the wider histories of identity and place. D-Napoleon grew up on a farm on the outskirts of Perth worked by her Croatian-immigrant parents. Her childhood is embedded in that landscape, that culture, and the realisation that the world is much larger. The poems vividly render a girlhood and coming of age coloured by the experience of dislocation.' (Introduction)
'Natalie D-Napoleon’s First Blood is a systematic demolition and rebuilding of the construct of girlhood. With an assured hand, D-Napoleon succinctly expresses the seemingly ineffable. Often, her keen stylus writes afresh over and across palimpsestic earlier texts in a processing of erasing, effacing, and replacing. D-Napoleon’s aesthetic is spare but neither sparse nor Spartan, as these poems are servings of selfhood that remain generous even in the face of antagonism.' (Introduction)
'Natalie D-Napoleon’s First Blood is a systematic demolition and rebuilding of the construct of girlhood. With an assured hand, D-Napoleon succinctly expresses the seemingly ineffable. Often, her keen stylus writes afresh over and across palimpsestic earlier texts in a processing of erasing, effacing, and replacing. D-Napoleon’s aesthetic is spare but neither sparse nor Spartan, as these poems are servings of selfhood that remain generous even in the face of antagonism.' (Introduction)
'Natalie D-Napoleon is a writer, singer-songwriter and educator from Fremantle with an MA in Creative Writing currently working on her PhD. She came to prominence on the poetry scene when she won the 2018 Bruce Dawe Poetry Prize with ‘First Blood: A Sestina’. Also titled First Blood, her debut collection explores various histories—her own, her forebears’, and the wider histories of identity and place. D-Napoleon grew up on a farm on the outskirts of Perth worked by her Croatian-immigrant parents. Her childhood is embedded in that landscape, that culture, and the realisation that the world is much larger. The poems vividly render a girlhood and coming of age coloured by the experience of dislocation.' (Introduction)