Cirrus@Austlit

'Hearing Maud begins and ends with the notion that the narrator’s life has been defined by a pharmakon, an ancient Greek term denoting something that is both poison and cure. This subtle and more complex version of the ‘gift or loss’ dilemma common in disability memoirs avoids oppositional thinking and embraces instead paradox and nuance. This is typical of Jessica White’s remarkable work of creative non-fiction, which is a sophisticated hybrid of memoir, biography, and critical disability studies.'  (Introduction)