'We live in an age where memoirs arrive thick and fast, and a book deal comes easiest to those in the public eye. When there’s little money in skewering yourself for general consumption unless fame has first taken its toll, it’s unlikely a memoirist ever gets back as much as they give. Towards the end of Jessica White’s Hearing Maud – in which the author bares a great deal of herself – White explains she wants readers to understand how difficult it is being deaf, still, and how hard people with disability must work.' (Introduction)