Relics of the Carnival, Fragments of War single work   poetry   "Darkness grasps a row"
Issue Details: First known date: 2019... 2019 Relics of the Carnival, Fragments of War
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AbstractHistoryArchive Description

'Setting:

A modern nation that shares the characteristics of many nations in the early 21st century: rapid economic development; built-up, affluent urban areas and a destruction of older areas of its cities, including dwellings and markets; an eclectic mix of people with a range of religious affiliations; and an active campaign in the so-called ‘war on terror’—employing various public and covert police methods.' 

Notes

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    Epigraph: ‘The giant purple mushroom … had already risen to a height of 45,000 feet, 3 miles above our own altitude, and was still boiling upward like something terribly alive. Even more fearsome was the sight on the ground below. Fires were springing up everywhere amid a turbulent mass of smoke that had the appearance of bubbling hot tar … If Dante had been with us on the plane, he would have been terrified. The city we had seen so clearly in the sunlight a few minutes before was now an ugly smudge. It had completely disappeared under this awful blanket of smoke and fire.’

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Axon : Creative Explorations Writing from the UK no. C4 Special Issue April 2019 16979975 2019 periodical issue

    'Members and affiliates of the International Poetry Studies Institute at the University of Canberra have, for some years, been visiting the United Kingdom, and collaborating with colleagues at universities across the country in symposia and other creative/research events. During 2018, poets and poetry scholars at the University of Reading (with colleagues from Oxford Brookes), and creative writers from the University of Winchester, included the IPSI folks in the Absent Presences, the Secret and the Unsayable symposium in Reading, and The Beautiful and the Grotesque symposium in Winchester. Along with a number of deeply absorbing and informative papers on the themes of each symposium, presenters showed film and still images, and read both poetry and creative prose. The great majority of presenters at each event work primarily in English, but despite the shared language, and the shared cultural traditions for people from the UK, the USA and Australia, there are very distinct differences in scholarly concerns, intellectual and creative traditions, and modes of practice. Events such as these, that illuminate differences as well as sameness, global frameworks as well as local specificities, provide real opportunities to extend both critical and creative thought, disseminate knowledge and understandings, and test out new modes of exploration. As editors of Axon: Creative Explorations we are grateful for the generous support and enthusiasm of our partners in the UK, and delighted to present a taste of what happened at each symposium.' (Introduction)

    2019
Last amended 26 Jul 2019 08:43:21
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