E. Cantoni (International) assertion E. Cantoni i(16902757 works by)
Gender: Unknown
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25 y separately published work icon The Clockmaker's Daughter Kate Morton , ( trans. E. Cantoni et. al. )agent with title La donna del ritratto ) Milan : Sperling & Kupfer , 2018 13651016 2018 single work novel mystery

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

2 y separately published work icon The Water Diviner The Water Diviner : Based on the Original Screenplay by Andrew Anastasios and Andrew Knight Andrew Anastasios , Meaghan Wilson-Anastasios , ( trans. E. Cantoni et. al. )agent)expression Milan : Piemme , 2015 8311153 2014 single work novel historical fiction

'When the Great War ends, Joshua Connor, a grieving farmer and sometime water diviner from the Mallee in Victoria, sets out to fulfil his wife's dying wish - to travel to Gallipoli to recover the bodies of his three sons and bury them in consecrated ground. Crescent collides with cross, and hope with reason as he discovers that his eldest son, Art, may still be alive. When Connor makes a desperate dash into the perilous heart of Anatolia one question haunts him: If Art is alive, why hasn't he come home?

'This is not a war novel, not even an anti-war novel. Instead it focuses on the battles that go on inside the hearts and minds of a small group of Australians and Turks as they struggle to bury their dead and rebuild their lives after the First World War. The story is based on first-hand resources, diaries and official records.'

Source: Publisher's blurb.

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