'During the original 2016 production of 'The Drover's Wife', her adaptation for the stage of Henry Lawson's famous short story, Leah Purcell reports that her costume designer found a quotation from Lawson that seemed the perfect summary of the shared drive powering their creative work: "It is quite time that our children were taught a little more about their country for shame's sake." This opinion, sourced rather ironically from a nationalist piece Lawson wrote for 'Republican' in April 1888 called "A Neglected History," was pinned up and presided over both rehearsal and production, and later became the epigraph of the playtext in all its subsequent editions. Purcell already knew she had her grandmother's blessing for the theatre she wanted to create, delivered in a dream during the early process of playwriting itself: "I asked her, am I doing all right? And she bowed to me. The ancestors are happy, you know?" (Purcell, 'SMH' 2016). she also recognised the positive force of Lawson's statement: "a sign that Henry's going, 'you go, girl' " (Purcell, 'The Guardian' 2017). Lawson's 1888 statement and his short story of 1892 are both profoundly renovated by intertextual repurposing in an indigenous context and by an indigenous writer.' (Publication abstract)