Cirrus@Austlit

'Rachael Weaver has alerted us to the racial violence of colonial short stories, and notes that "[m]any novels also show graphic instances of frontier violence as part of larger and more wide ranging narratives" (fn 1, 33). One sub-genre of the novel form that does this is the carceral novel, such as Caroline Leakey's 'The Broad Arrow' (1859) and Marcus Clarke's 'For the Term of His Natural Life' (1874), which depict the explicit violence of the penal system through convict protagonists. This essay shows that violence abounds in colonial fiction not only in genres that make it explicit, but also where it is embedded - in novels usually categorised in the realist-romance genres (Giles; Dalziell; Thomson). often analysed in terms of gendered inequity (Harris), class relations (Thomson), and colonial representations of "national" identity (Allen; Spender; Gelder and WEAVER), novels by a number of major female novelists from the mid-nineteenth century to the First World War are revisited here through the lens of their treatment and performance of violence.' (Publication abstract)