Nathan Sentance Nathan Sentance i(16843006 works by)
Gender: Male
Heritage: Aboriginal ; Aboriginal Wiradjuri
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Works By

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1 Nathan Sentance Reviews Fire Front: First Nations Poetry and Power Today Edited by Alison Whittaker Nathan Sentance , 2020 single work review
— Appears in: Cordite Poetry Review , May no. 96 2020;

— Review of Fire Front : First Nations Poetry and Power Today 2020 anthology poetry essay
'2020 is a hectic year, ay? Severe bushfires, Covid-19 outbreak, the subsequent lockdown, the colonial government funding an idolised re-enactment of the starting point of the invasion of these lands, Black people being harmed and murdered by state agents such as the police and those same police protecting boring statues of colonisers all while Rio Tinto destroys a 46,000-year-old sacred site.' (Introduction)
1 Disrupting the Colonial Archive Nathan Sentance , 2019 single work review
— Appears in: Sydney Review of Books , September 2019;

— Review of Archival-Poetics Natalie Harkin , 2019 selected work poetry

'Most people think of archives, especially big government archives, as either neutral sites of memory and history, or as mundane, boring storage facilities for administrative records, or they don’t think about them at all. But the poet Dr Natalie Harkin (Narungga) knows what many First Nations people know, that official archives are a powerful colonial weapon as well as a site of mourning. They are time capsules and they are also bullets. Created by state-sanctioned surveillance and violence, these archives have the power to sustain and reproduce that same violence. As Harkin says, there is ‘blood on the records’.' (Introduction)

1 Public Libraries Vanessa Giron , Jini Maxwell , Eileen Chong , Sumudu Samarawickrama , Ruby Pivet , Nathan Sentance , 2019 single work essay
— Appears in: The Lifted Brow , June no. 42 2019; (p. 101-106)

'We live in an era of hostile architecture, disinformation, and privatisation. Our right to exist in public freely is increasingly compromised. In 2018, Forbes ran an op-ed suggesting that libraries could be replaced by Amazon. In the same week, Omar Sakr wrote a twitter thread celebrating the social, intellectual, and domestic role of Liverpool public library in his teenage years. When Vanessa Giron, the commissioning editor for this series, wrote a Brow by Numbers for TLB 39, she focussed on the increase in public library membership and patronage, and paradoxical decrease in staff and funding on both a state and federal level. It seems we need public information and safe spaces for congregation and learning now more than ever—but how ‘public’ can these public spaces be when they are entrenched in the logics of colonialism and capitalism? Are these spaces truly free, if they propound colonialist narratives under the guise of objectivity. Are they truly public, if they are inaccessible to those who would benefit most from them?

'We asked five writers to consider the public, personal, and structural role that public libraries play in our society. The responses from our writers were generous, ranging from writing from poetic, to academic, to critical, to playful. For some, public libraries provided access, safety, education, or entertainment. For others, they may symbolise hierarchies that privilege particular narratives over others. They conjured memories, provocations, and projections about the future of public information and public space.

'We hope this series provides, if not answers, a richer understanding of the stakes and terms of the issue at hand.' (Introduction)

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