'“In the 1960s and ’70s I grew up on a sheep farm in north-eastern Victoria,” said choreographer Rosalind Crisp in a very plain voice, somewhere at the start of her lecture-performance DIRtywork. Crisp had spent more than a decade dancing and choreographing in France; she only returned a few years ago. She continued, “My parents, my three siblings, myself and our dogs and cats ate sheep nearly every day.”'
(Introduction)