form a-Kuridi (The Groper) single work   film/TV   dreaming story  
Issue Details: First known date: 2012... 2012 a-Kuridi (The Groper)
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AbstractHistoryArchive Description

'This animation is told in the form of classic Yanyuwa Dreaming narration. The animation details the journey of the Groper (a-Kuridi) around South West Island. It describes the various other Ancestral Dreaming beings that she meets and her responses to them as well as showing acts of creation that are still highly significant today. The animation details the significance of place names, kinship and the role of song lines in story telling and their relationship to country. This animation is an outside, public, telling of a story that is very important to the Yanyuwa Wuyaliya clan.'

Source: Monash Country Lines Archive.

Notes

  • Dedication:

    To the memory of

    Don Miller Manarra

    Johnson Timothy Babarramila

    Musso Harvey Bangkarrinu

    Annie Isaac Karrakayn

    Land Claim fights (1976, 1992, 2000) for the country of South West Island. They never gave up until it was once again in the hands of their families.

  • This story belongs to the Wuyaliya clan of South West Island of the Yanyuwa people, Borroloola, Northern Territory.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2012
Language: Aboriginal Yanyuwa AIATSIS ref. (N153) (NT SE53-04)
Notes:

With English subtitles.

  • Appears in:
    y separately published work icon Country Lines Archives Monash Country Lines Archive Melbourne : Monash University , 2008- Z1855514 2008 website

    'The Monash Country Lines Archive (MCLA) is a collaborative Monash University project between the Monash Indigenous Centre (MIC), Faculty of Arts and the Faculty of Information Technology with a team of Monash researchers, digital animators and post-graduate students from the Monash Indigenous Centre, Faculty of Arts and the Faculty of Information Technology.

    The Monash Country Line Archive demands intellectual engagement in regards to issues associated with how best to construct a living archive that is a decolonised space in which communities are happy to see their material stored. It also provides an exciting place for scholars to work and share knowledge'.

    Using the latest 3D animation technology Indigenous stories and languages come to life –records the past, preserves the present, and protects Indigenous languages and knowledge into the future.

    (Source: Monash University website www.infotech.monash.edu.au)

    Melbourne : Monash University , 2008-
Last amended 15 May 2019 12:27:20
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