[Review) The Second single work   review  
Issue Details: First known date: 2019... 2019 [Review) The Second
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'The image of two women with a shotgun, speeding down a barren highway in pursuit of a man on foot, is an uncommon image for an Australian film. For an audience, the unexpected power of this scene is as shocking as it is delightful. As the women steadily close in on their target, it is evident, despite the complex plot line, that the two women have been clear in their intentions from the start. Directed by Mairi Cameron, and written and produced by Stephen Lance, The Second (2018) was funded, developed and produced under the Screen Queensland Originals Fully Funded Features programme, in partnership with the Australian streaming service Stan. The film's hybrid distribution model was the first for an Australian feature, and allowed for screenings in commercial cinemas, national film festivals and an SVOD release on Stan, The film was shot at Jimbour House, a cattle station established in 1841, at Dalby, Queensland, and features music written by Queensland composer Ryan Walsh and performed by the Queensland Symphony Orchestra.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Australasian Journal of Popular Culture vol. 8 no. 1 2019 16393203 2019 periodical issue

    'The global screen industries are rapidly changing. Digital disruption has altered the way content is produced, distributed and consumed, and 'screen' no longer refers to just film and television. Audiences increasingly favour convenient access to content over remaining loyal to established providers of watching on particular devices/platforms (Neilson 2016). Despite this ongoing state of change, screen - and we consider that term broadly - remains an integral part of how we consume and create popular culture. Access to popular culture is increasingly pervasive and all-consuming for audiences, signalling what Jenkins et al. (2013) identify as 'spreadable media' in which circulation (or participatory sharing of content) is becoming more meaningful than distribution of content. This shift has led to greater demand for new content, niche content and the revival of many nostalgic forms of popular culture. This issue of the Australasian Journal of Popular Culture examines the theme of 'Screening Popular Culture'.  (Elizabeth Ellison and Tess Van Hemert: Editorial introduction)

    2019
    pg. 119-122
Last amended 2 May 2019 10:43:33
119-122 [Review) The Secondsmall AustLit logo The Australasian Journal of Popular Culture
Review of:
  • The Second Stephen Lance 2018 single work film/TV
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