'Jo Jones’s Falling Backwards is balanced on the notion that “Some stories are hard to tell.” The question of how best to engage with this trauma—how to look back, openly and sensitively, into the darkness of Australia’s colonial past—is at the heart of her volume. The titular image of falling backwards gestures towards this work’s primary insight. Falling is usually an involuntary act. Yet, in acknowledging that we must tumble loose from our present assumptions, we might open ourselves up to a productive disorientation. This process allows ideas about self and other, belonging and identity, to shift and emerge anew. Ultimately, Falling Backwards is a thoughtful analysis of the politics of literary form in contemporary historical fiction. Jones does not object to realism per se, but to the ethical compromises that can occur when this classically linear, unified and self-affirming mode is applied to the representation of a positivistically unknowable past. ' (Introduction)