Alessandra Maestrini Alessandra Maestrini i(15941513 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
17 60 y separately published work icon No Friend but the Mountains : Writing From Manus Prison No Friend but the Mountains : The True Story of an Illegally Imprisoned Refugee Behrouz Boochani , Omid Tofighian (translator), ( trans. Alessandra Maestrini with title Nessun amico se non le montagne. Prigioniero nell'isola di Manus ) Torino : ADD Editore , 2019 14342605 2018 selected work prose

'Where have I come from? From the land of rivers, the land of waterfalls, the land of ancient chants, the land of mountains...

'Since 2013, Kurdish journalist Behrouz Boochani has been held in the Manus Island offshore processing centre.

'People would run to the mountains to escape the warplanes and found asylum within their chestnut forests...

'This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait through five years of incarceration and exile.

'Do Kurds have any friends other than the mountains? '  (Publication summary)

6 4 y separately published work icon The Wrong Boy Suzy Zail , ( trans. Alessandra Maestrini with title La pianista di Auschwitz ) Rome : Newton and Compton , 2016 Z1932006 2012 single work novel young adult historical fiction

'The story of a Jewish girl sent to Auschwitz with her family. She falls in love with the wrong boy - the German son of the camp commander.

'Hanna is a talented pianist, and the protected second daughter of middle class Hungarian Jews. Relatively late in World War II the Budapest Jews were rounded up and sent to Auschwitz. Hanna and her mother and sister are separated from her father. Her mother becomes increasingly mentally ill until she too is taken away somewhere. Her sister Erika is slowly starving to death.

Hanna is quite a naive 15-year-old but when presented with the opportunity to play piano for the camp commander, she is desperate to be chosen. She goes each day under guard to the commander's house and stands waiting in case the commander should want some music.

Also living in the house is the commander's son, Karl. A handsome young man who seems completely disengaged from what is happening around him. Hanna hates him as he sits drawing in the music room. But the longer Hanna goes to the house, the more she realises there are other things going on. Secret things. Karl may not be the person she thinks he is. Before she knows it she has fallen in love with the wrong boy.'

Source: Publisher's blurb.

X