'As In Murray approaches his 80th birthday it is worth trying to assess the continuity of his achievement over a career that has now entered its 53rd year. In this chapter I approach this through examining, primarily in his later work, what I see as two central and linked preoccupations — a fascination with distortion, exaggeration and (re) framing, combined with a sense of an abject sexuality. I argue that 'late' Murray arrived relatively early, around the time of his return to Bunyah in the late 1980s, when he was in his late 40s, but also that this 'lateness' has clear and discernible roots in his early lyric poetry.' (Introduction)