'Many decades after he had left Western Australia and settled in Suffolk, Randolph Stow would continue to be asked if he considered himself an Australian writer. In interviews, Stow would attempt to distance himself from ideas of roots, denying the label "Australian^ for his preferred "Anglo-Australian" ("A Conversation" 71). Similarly, Stow frames his interest in Western Australia as purely related to childhood, the town of Geraldton being the place where he just happened to grow up ("Mostly Private Letters" 354). Since Stow's death in 2010 interest in locating him on a cultural map of Australia has continued. With the re-release of his major fiction works through the Text Publishing Classics series in 2015 and the publication of Suzanne Falkiner's 2016 biography Mick: A Life of Randolph Stow, Stow is enjoying a resurgence, one that continues to try to locate him as an Australian or Western Australian writer. Yet as in his lifetime, Stow's poetry remains relatively critically neglected despite the most comprehensive selection of his poetry appearing in 2013 accompanied by an extensive introductory essay by John Kinsella. The Kinsella essay demonstrates how consideration of Australianness in Stow's poetry and prose almost always relates to consideration of landscape. Part of the confusion around assigning Stow a definitive designation as a Western Australian place writer must be that Stow does not write about place in any one way...' (Introduction)