Cirrus@Austlit

'In light of the carnage that lone gunmen have wrought in the United States over the past twenty years, this revelation is chilling and difficult to reconcile with the midfifties grandfather who confidently leaves the National Gallery of Victoria in the collection's final essay, "like a man in boots" (296). While the subsequent two essays find their starting points in Winton's early life- being taken to see Kubrick's 2001: A Space Odyssey by a hapless but well-intentioned friend's mother for said friend's eighth birthday, and a meditation on how "havoc" has shaped his life (particularly his father's catastrophic motorcycle accident when Winton was five)-they also defy easy taxonomy. Winton's passion for Australia as a repository for biodiversity and his commitment to its protection from itself, especially in light of the ugly fact that "Australia has the worst record of mammal extinction in the world" (64), is evident; a number of the essays chronicle various environmental campaigns in which he has fought or whose victory he has celebrated.' (Publication abstract)