'Dorothy Porter wanted to make poetry popular again, to bring r back into the mainstream and attract the readers that had abandoned it in the twentieth century, as the novel became the dominant literary form. She expressed that desire when discussing the mood and melancholia of T.S. Eliot's The Waste Land. She said, "I want to break away from that modernist fatigue. I want some green leaves to growl want poetry to get people intoxicated and drunk again. I want poem!' to be seen as something festive, fun and dangerous" (Digby 39). One way to capture some new ground for poetry was to challenge the relative domination of the lyric, which eventually resulted in Porter writing five verse novels. This chapter examines the successes and the limitations of these novels as narratives and as poetry.' (Introduction)