'It is the photographs scattered through the text of Kindred that grab our attention first. Two pairs of battered boots in close-up, hanging on a nail. A rudimentary bush campsite where a couple of thin ropes are tied between two trees and draped with canvas. The corpse of a wombat, strung up to be butchered. Men in puttees and a woman in full Edwardian dress, posed in an alpine heath. And panoramas of gorges, crevasses and mountain peaks in which gums twist out of boulder cracks and human figures are registered as ants with walking sticks.' (Introduction)