'We’ll Stand in That Place and Other Stories is the latest anthology in the annual Margaret River Short Story Competition. In this latest collection, contemporary concerns, such as climate change, cultural inclusiveness and the need for queer spaces, are explored and a spotlight is shone on the complex emotions that we sometimes fail to honour in our daily lives and close relationships.
We’ll Stand in That Place and Other Stories features 19 short stories selected from over 240 entries from the 2019 Margaret River Short Story Competition, which is now in its eighth year. The collection was edited by award-winning author and editor Michelle Cahill and includes this year’s winning story We'll Stand in That Place by Kit Scriven.'
Source: Publisher's blurb.
'We’ll Stand in that Place and other stories, is the latest anthology of the Margaret River Short Story Competition. The competition is an annual contest, open to authors of any age and nationality. Previous editors have been Ryan O’Neill, Ellen van Neerven, Laurie Steed and Estelle Tang. Nineteen short stories were selected out of over 240 entries. Michelle Cahill, who edited the 2019 edition has compiled a collection of stories covering a range of contemporary themes such as climate change, cultural inclusiveness, complex relationships and emotions, family and the need for queer spaces. Both emerging and established writers whose work highlight features of the short story form are included.' (Introduction)
'We’ll Stand in that Place and other stories, is the latest anthology of the Margaret River Short Story Competition. The competition is an annual contest, open to authors of any age and nationality. Previous editors have been Ryan O’Neill, Ellen van Neerven, Laurie Steed and Estelle Tang. Nineteen short stories were selected out of over 240 entries. Michelle Cahill, who edited the 2019 edition has compiled a collection of stories covering a range of contemporary themes such as climate change, cultural inclusiveness, complex relationships and emotions, family and the need for queer spaces. Both emerging and established writers whose work highlight features of the short story form are included.' (Introduction)