'Fascinated by caves and digging holes since childhood, Manfred discovers a path through to another realm via a Neolithic copper mine at Mount Gabriel in Schull, Ireland. The world of Hollow Earth, while no Utopia, is a sophisticated civilisation. Its genderless inhabitants are respectful of their environment, religious and cultural differences are accommodated without engendering hate or suspicion, and grain, not missile silos are built. Yet Ari and Zest accompany Manfred back to the surface world. ‘Come with me and see my world.’
'So begins an extraordinary adventure in which the three wander the Earth like Virgil’s Aeneas, Ari and Zest seeking re-entry to their own world. The Hollow Earthers are shocked at the cruelty and lies of the surface world, the dieback spreading through the forests. Yet they are seduced by the world’s temptations.
'Kinsella’s parable draws on a rich tradition of Hollow Earth literature and science fiction including Bradshaw’s The Goddess of Atvabar (1892). With strange beauty, its alluring trajectory vividly captures our 21st-century world in crisis. Like Manfred, we are often blindly complicit in the earth’s downfall. ‘Happiness is under our feet.’ sings the narrator in this passionate, layered and compelling new novel.'
Source: Publisher's blurb.
Beyond Ambiguity : Tracing Literary Sites of Activism
Manchester
:
Manchester University Press
,
2021
23070912
2021
single work
criticism
'This volume completes John Kinsella’s trilogy of critical activist poetics, begun two decades ago.
'It challenges familiar topoi and normatives of poetic activity as it pertains to environmental, humanitarian and textual activism in ‘the world-at-large’ – it shows how ambiguity can be a generative force when it works from a basis of non-ambiguity of purpose. The book shows how there is a clear unambiguous position to have regarding issues of justice, but that from that confirmed point ambiguity can be an intense and useful activist tool.
'The book is an essential resource for those wishing to study Kinsella, and for those with an interest in twentieth and twenty-first-century poetry and poetics, and it will stand as an inspiring proclamation of the author's faith in the transformative power of poetry and literary activity as a force for good in the world.'
Source : publisher's blurb
'John Kinsella’s achievement as a poet has overshadowed his fiction. But his narrative accomplishment is a considerable one. Whereas his poetry is usually classified as either experimental or “dark pastoral,” the fiction evades these kinds of categorizations. This essay delineates Kinsella’s fictional oeuvre, from the estrangements of his short stories to his recent series of short novels, novellas, and full-length novels, all of which feature a protagonist who is a version of himself, a Kinsella manqué, deployed against various speculative futuristic, or conjectural backdrops. This technique enables both a searing social interrogation and a questioning of the privileged self in light of racism, sexism, and white settler arrogance. Kinsella’s fiction often rewrites anterior texts or received genres. But, unlike so much other Australian fiction, it does not simply write into the global market or attempt to temporarily reanimate received paradigms. Kinsella’s fictions, such as Hollow Earth, Django & Jezebel, and Basket Z, are not conventional novels. But they provide a satisfying narrative through-line even as they prod the reader to think about their own place in the text and in the world.' (Publication abstract)
'An elegant science-fiction story with a message about the mess humans have made.'
'An elegant science-fiction story with a message about the mess humans have made.'
'John Kinsella’s achievement as a poet has overshadowed his fiction. But his narrative accomplishment is a considerable one. Whereas his poetry is usually classified as either experimental or “dark pastoral,” the fiction evades these kinds of categorizations. This essay delineates Kinsella’s fictional oeuvre, from the estrangements of his short stories to his recent series of short novels, novellas, and full-length novels, all of which feature a protagonist who is a version of himself, a Kinsella manqué, deployed against various speculative futuristic, or conjectural backdrops. This technique enables both a searing social interrogation and a questioning of the privileged self in light of racism, sexism, and white settler arrogance. Kinsella’s fiction often rewrites anterior texts or received genres. But, unlike so much other Australian fiction, it does not simply write into the global market or attempt to temporarily reanimate received paradigms. Kinsella’s fictions, such as Hollow Earth, Django & Jezebel, and Basket Z, are not conventional novels. But they provide a satisfying narrative through-line even as they prod the reader to think about their own place in the text and in the world.' (Publication abstract)
Beyond Ambiguity : Tracing Literary Sites of Activism
Manchester
:
Manchester University Press
,
2021
23070912
2021
single work
criticism
'This volume completes John Kinsella’s trilogy of critical activist poetics, begun two decades ago.
'It challenges familiar topoi and normatives of poetic activity as it pertains to environmental, humanitarian and textual activism in ‘the world-at-large’ – it shows how ambiguity can be a generative force when it works from a basis of non-ambiguity of purpose. The book shows how there is a clear unambiguous position to have regarding issues of justice, but that from that confirmed point ambiguity can be an intense and useful activist tool.
'The book is an essential resource for those wishing to study Kinsella, and for those with an interest in twentieth and twenty-first-century poetry and poetics, and it will stand as an inspiring proclamation of the author's faith in the transformative power of poetry and literary activity as a force for good in the world.'
Source : publisher's blurb
