Iain McIntyre Iain McIntyre i(15588771 works by)
Gender: Male
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Works By

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1 The Last Refuge, Edward Lindall Iain McIntyre , 2019 single work criticism
— Appears in: Sticking It to the Man : Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980 2019;
1 A Total Assault on the Culture? Pulp and Popular Fiction during the Long Sixties Iain McIntyre , Andrew Nette , 2019 single work criticism
— Appears in: Sticking It to the Man : Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980 2019;
1 1 y separately published work icon Sticking It to the Man : Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980 Andrew Nette (editor), Iain McIntyre (editor), Oakland : PM Press , 2019 15588833 2019 anthology criticism

'From the late 1950s onwards, Sticking It to The Man tracks the changing politics and culture of the period and how it was reflected in pulp and popular fiction in the US, UK, and Australia. Featuring 400 full-colour covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than 30 popular culture critics and scholars. Works by street level hustlers turned best-selling Black writers Iceberg Slim, Nathan Heard and Donald Goines, crime heavyweights Chester Himes, Ernest Tidyman and Brian Garfield, Yippies Anita Hoffman and Ed Sanders, and best-selling authors such as Alice Walker, Patricia Nell Warren and Rita Mae-Brown, plus a myriad of lesser-known novelists ripe for rediscovery, are explored, celebrated, and analysed.'

Source: Publisher's blurb.

1 y separately published work icon Girl Gangs, Biker Boys, and Real Cool Cats : Pulp Fiction and Youth Culture, 1950 to 1980 Andrew Nette (editor), Iain McIntyre (editor), Oakland : PM Press , 2017 13157486 2017 anthology criticism

'The first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behavior, dress, and language for mass consumption and cheap thrills. With their lurid covers and wild, action-packed plots, these books reveal as much about society's deepest desires and fears as they do about the subcultures themselves. Featuring approximately 400 full-color covers, many of them never before reprinted, along with 70 in-depth author interviews, illustrated biographies, and previously unpublished articles, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and--often overlooked--the actual words they wrote. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.' (Publication summary)

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