Issue Details: First known date: 2018... 2018 The Hepatitis C Trilogy : A Case for Indigenous Theatre as a Contemporary Manifestation of Traditional Healing Business
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'For Aboriginal and Torres Strait Islander theatre-makers, modern theatrical methods offer a valuable tool to educate members of our community about the prevalent health issues that we currently face. My involvement in one such project, Viral: Are You the Cure?, produced by the Melbourne-based Ilbijerri Theatre Company, allowed me to explore more deeply this type of theatre-making. Through participant observation using Shawn Wilson’s Indigenous research paradigm, examining the work with regards to Schechner and Turner’s considerations around ritual, and exploring several historical parallels, I argue that such forms of educational health theatre represent a contemporary manifestation of healing ritual and ceremony.' (Publication abstract)

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  • Appears in:
    y separately published work icon Australasian Drama Studies no. 73 October 2018 15506967 2018 periodical issue

    'The opening image of this Special Issue of the Australasian Drama Studies journal comes from The Vultures, a contemporary Indigenous satire written and directed by Tawata Productions’ Mīria George (Te Arawa; Ngati Awa; Rarotonga and Atiu, Cook Islands), and staged at Wellington’s BATS theatre as part of the Kia Mau Festival in 2017. The Vultures plays around with the politics of place; of native ecologies versus the National Economy; of the negotiation of Indigenous identities between town and country; of the rejection of the passive ‘Ecological Indigene’ trope; and of the literal ways we trace our whakapapa (lineage) to the landscapes of our ancestors. It envisions an Indigenous Aristocracy, dominated by an internally conflicted whānau (family) of exceptional Māori wāhine (women), engaged in power struggles for wealth and control of a new Empire. The central conflict in this narrative conflates the whakataukī (proverb) about the causes of war: He wāhine, he whenua, ka ngaro te tangata – often translated as ‘For women and land, men perish’ – where the battle over a contested territory is fought by resistant Indigenous women, on their own behalf. This image speaks to an intrinsic premise behind this long-awaited Special Issue: that Indigenous voices are diverse, rich and complex. There is no such thing as a typical Indigenous play.' (Hyland, Nicola; Syron, Liza-Mare and Casey, Maryrose. 'Turangawaewae': A place to stand in contemporary indigenous performance in Australasia and beyond 1-16)

    2018
    pg. 20-41
Last amended 5 Feb 2019 08:38:39
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