Dancing off the Walls single work   essay  
Issue Details: First known date: 2018... 2018 Dancing off the Walls
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'At Geelong Gallery colonial paintings depicted clouds at green horizon line. Flat stretch between Melbourne and the coastline verdantly expanding over canvases. Regional galleries are full of reverent pastorals like this, and each visit I remember the effect this land has. Not just for Aboriginal people but on settlers, too. In their paintings you can see the same awareness of light over country, even hundreds of years ago.' (Publication abstract)

 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Lifted Brow no. 40 December 2018 15394714 2018 periodical issue

    'We acknowledge and pay our respect to all the Grandmothers, Mothers, Aunties, Sistas, and Sistergirls, Cuzzies and Tiddas gone before us, those lost too young, and those to come. We love you, your strength, knowledge, humility, grief and anger. Youse are all Most Deadly!

    'Shout out to the Aboriginal and Torres Strait Islander writers and editors who have worked with The Lifted Brow before this, and who held the door open for this edition.

    'Running the editorial as a collective for this issue of The Lifted Brow was important for many reasons. Too often as Blakfellas we are expected to work as lone rangers in white corporations and institutions, as the keepers of all knowledge, the go to on every ‘Aboriginal issue’, and the incompetent to lay blame with when things don’t go well. It is expected that we are happy to fit into the individualistic mindset of western capitalism, because you want that job, right? To keep a roof over you and your family’s head, right? To be all white, white?' (Editorial introduction)

    2018
    pg. 78-85
Last amended 10 Jan 2019 10:58:40
78-85 Dancing off the Wallssmall AustLit logo The Lifted Brow
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